Wednesday – Friday 12 – 6 pm
Saturday 12 – 4 pm and by appointment
Maryam Hoseini’s work explores fragmented embodiment, spatial disruption, and architectures of intimacy. Through painting, drawing, and multi-panel installation, they construct liminal worlds where bodies move boundlessly between legibility and disappearance, conjuring new forms and meanings. Rooted in diasporic experience and shaped by social and political conditions, Hoseini’s practice navigates abstraction and figuration, repetition and rupture. Figuration dissolves into pattern, symmetry, and recurrence. Resisting linear narrative, their compositions unfold as spatial choreographies, portals into nonlinear time.
Maryam Hoseini (b. 1988 in Tehran, IR) lives and works in New York. They hold a BFA from Sooreh Art University, Tehran, and dual MFA degrees from the School of the Art Institute of Chicago and Bard College, where they currently serve as Co-Chair of the Painting Department. Recent solo and group exhibitions include SITE Santa Fe, USA (2025); Museum of Modern Art in Warsaw, Poland (2025); Green Art Gallery, Dubai (2025, 2020); Museu de Arte de São Paulo, Brazil (2024); High Art, Paris (2022); Zeyrek Çinili Hamam, Istanbul (2023); Sadie Coles HQ, London (2023); The Aldrich Contemporary Art Museum, Ridgefield (2022); New Museum, New York (2021); Rachel Uffner Gallery, New York (2020, 2017); MoMA PS1, New York (2018) and SculptureCenter, New York (2019). Their work is held in public collections including Kadist Art Foundation, Paris and San Francisco; Kistefos Museum, Jevnaker; Xiao Museum of Contemporary Art, Rizhao; and York Art Gallery, York.
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Maryam Hoseini’s work explores fragmented embodiment, spatial disruption, and architectures of intimacy. Through painting, drawing, and multi-panel installation, they construct liminal worlds where bodies move boundlessly between legibility and disappearance, conjuring new forms and meanings. Rooted in diasporic experience and shaped by social and political conditions, Hoseini’s practice navigates abstraction and figuration, repetition and rupture. Figuration dissolves into pattern, symmetry, and recurrence. Resisting linear narrative, their compositions unfold as spatial choreographies, portals into nonlinear time.
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CV Maryam Hoseini
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Bodes that resist legibility by Pramodha Weerasekera, BOMB Magazine, 01/2026
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Maryam Hoseini: Painting as resistance by Duncan Baallantyne-Way, Art Basel, 09/2024
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The Artists Depicting the Power and Strangeness of Breasts by Zoë Lescaze, The New York Times Style Magazine, 05/2023
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Let's get physical – The body in art by Matthew Wilcox, Canvas magazine, 01/2023
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When the end is the beginning by Katrina Kufer, Harpers Bazaar Arabia, 12/2018
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Maryam Hoseini’s Paintings Collapse Identity and Architecture by Elizabeth Karp-Evans, Cultured Magazine, 12/2018
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Protection finds its equal in pleasure at PS1’s ‘Body Armor’ by Clara Malley, Document Journal, 06/2018
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Maryam Hoseini by Kat Herriman, Artforum, 12/2017
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What to see now: New York November 2017 by Emily Gallagher, Cultured Magazine, 11/2017
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All the Feels by Rindon Johnson, Cultured Magazine, 08/2017
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